Near the end of ''De-Lovely,'' the lethally inert new cinematic portrait of Cole Porter, the composer Kevin Kline and his wife, Linda Ashley Judd , attend a private screening in Los Angeles of ''Night and Day,'' Porter's notoriously inaccurate, sugar-coated but commercially successful screen biography. After the blissful final clinch of Cary Grant and Alexis Smith in a movie that exalts the Porters' regulation Hollywood-perfect union, ''De-Lovely'' shows the composer turning to his wife and remarking, ''If I can survive this, I can survive anything. But I wonder if Porter, who died in , could have survived ''De-Lovely,'' a movie so lifeless and drained of genuine joie de vivre it makes you long for the largely fictional earlier film. When you think about it, what man in his right mind wouldn't be flattered by having Grant as his screen alter-ego? I seriously question whether watching the suave, handsome actor in his prime was an embarrassment that the physically unglamorous Porter felt he had to survive.
Tense reciews sad scenes, horseback-riding accident, sad death. They are now totally market driven toward youth, and offer little diversity. Forgot your password? Much of the movie's music is taken out of context, not only chronologically, but also stylistically and logistically. Was this review helpful? In this travesty of a straight, non-jazz performance Ms. Mar 04, Looks great but Kline De lovely reviews too much of a ham. Critic Reviews. Good Roger, or Bad Roger?
De lovely reviews. Common Sense says
Who told them they could do that? The parents' guide to what's in this movie. In the 's and 's, this marriage of convenience meant De lovely reviews new life to Linda Lee, and that was the extent of it. Yet, Cole says of his many love songs that they have always been for Linda and we never doubt that it is true. Ultimately a depressing film, the songs revisws Cole Porter really are not well suited to being made into a biographical movie. De-you think you can sit through it De lovely reviews cutting your wrists?
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- Porter floated effortlessly for a time between worlds: Gay and straight, Europe and America, Broadway and Hollywood, show biz and high society.
Sign in. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! De-Lovely Hide Spoilers. This biography soars toward the Academy Awards on the backs of its producer, director and actors. Kevin Kline proves you don't have to Baby immune system breastfeeding like the "Real Person" to bring his spirit to life and Ashley Judd contrary to some unfair and plain wrong reviews gives us a strong Linda Porter, a complex and vulnerable Linda Porter who, as is usually the case, finally succumbs to her life choices with an uncommon grace and courage.
Those people in the audience who had Trans design beauty supply idea about Mr. Porter's sexual preference, oh'd and ah'd in the beginning. Then they learned that all the talent in the world, all the money in the world, all the joyous hedonism of youth in the world - all of it falls in upon itself as age overcomes and destroys the arrogance of youth.
Irwin Winkler has given us an unflinching portrait of an unusually talented man, an unusual life, and a painful end to that life. My palms were ice cold and I felt drained as this film concluded - not because it failed as a project, but because it succeeded so well.
Was this review helpful? Sign in to vote. Cole porter's heyday was long before I was around, but I was instantly attracted to his music in my youth, and that love for his compositions has never ceased. I know many here are bad mouthing the movie "De-Lovely", and they shouldn't be. There are so many unwatchable, ridiculously bad movies being released nowadays, that De-lovely looks like Free clooege porn with the Wind compared to many of them.
We have several generations of young people that do not have the benefit of the diverse media many of us older people had when we were young. Back when radio and television use to thrived on diversity.
They are now totally market driven toward youth, and offer little diversity. The influence movies like De-Lovely could have on young artist should not be under-estimated. I remember many musicals in my youth that greatly influenced my future career as a musician.
I found De-Lovely to be a delightful movie. I found both Kline and Judd to be excellent in their roles. While the story has taken some lead way with the facts, they got the majority of important points across, and with a lot Male muscle worship jerk off style in my opinion.
The makers of this movie had to do a balancing act between biography and entertainment. Between telling the story of Porter's life, and paying tribute to his incredible talent as a song writer. I left the movie theater feeling upbeat and inspired. That told me they balanced the two very well. While I might of chosen a few different singers to sing Porter's songs in the movie, I realize that using known, modern singers helps get youth into the theater, and that's important.
The artist they choose to sing Porter's music in the movie, did a wonderful job. While some renditions are a little too modernized, any influence his music has on today's youth is a good thing.
Our young people need to know that real works of art take skill, training, talent, and time. Much of todays music is aimed toward an audience with a very short attention span, wanting instant gratification, and to counter that with the music of Cole Porter is a wonderful gift to an entire generation.
This movie works on so many levels. The music, the period, the love affair, and the pain. The story is about Porter looking back at his life during his last moments on earth, he sees it as a theatrical production. Because of this, the songs are not all in chronological order. A few of the songs were placed out of sequence to fit the story line. This idea works splendidly, and it is beyond me why some reviewers seemed to miss this concept completely, and thought the writers messed up.
The truth is we really don't know that much about Cole porter. He was not fond of the press, and the relationship between his wife Linda and him was very private. We do know Cole was gay, but loved Linda deeply his entire life. Cole was a complicated person, and lived a complicated life.
This is movie making at it's best, folks. I recommend this movie highly. I hope Hollywood keeps the musicals coming. It's about time. I generally hate biographical films and musicals, but this biographical musical is one I really liked. From the beginning with Gabriel I always love Johnathan Pryce - I never got over "Brazil" and the old Cole Porter together in the empty theatre, I was sold on the film. Sometimes flashbacks annoy me. In this case, the interaction one-sided, but still there between the old Cole Porter and his past made the transition to his life magical and fun.
It didn't feel like a biographical view of his life. From the opening scene in the theatre, it just got better as it went along. Kevin Kline's portrayal of Cole Porter was rich and nuanced.
He seemed to be truly in love with Linda, yet he still had his other side. Ashley Judd as Linda seemed perfect. When the old Cole Porter sees her again, he says, "My god, she was lovely! I identified enough with her and with Kevin Kline that I was saddened by her death in the movie. They sold me on their characters. I ended up feeling empathy for Linda; the lovely, lovable and steadfast; and respect and admiration for the Cole Porter figure. But, what made the movie fly for me was the music go figure!
It was Cole Porter, release 1. A bunch of his great songs were re-arranged and presented by modern singers - Boar erection the way from jazz Diane Krall to varieties of pop Elvis Costello. Each of the singers brought a new feel to the Cole Porter songs and really made the movie a pleasure.
When my wife and I finished the movie on the DVD we spent another hour watching all the special features. We both hated to see the movie end. We just wanted it to go on and on. Like the beat, beat, beat of De lovely reviews tom-tom De-Lovely is indeed De lovely reviews seaview1 15 August As a biography, De-Lovely is not historically accurate, but as drama and a tribute to Cole Porter, a prodigious talent in musical theater, it is sublime.
Kevin Kline is perfectly cast in spirit as the songwriter extraordinaire who stormed Broadway as Hollywood beckoned. His marriage to Linda Porter a terrific Ashley Judd is a relationship of lasting love fraught with infidelity and heartbreak in which Porter is portrayed as an insatiable artist whose homoerotic dalliances were legend.
The timeline spans the 's through the 's. This Lone star mermaid beach not so much a simple biopic but, rather, an interesting Black on blonde brooklyn of Porter's constant struggle to find happiness in love and life and it proves to be an addictive intoxication.
As his accepting and understanding wife grows increasingly frustrated with his lies and deception amid his growing list of male suitors, Porter's life and health begin to unravel. This bracketing narration is reminiscent of A Christmas Carol, and there are striking similarities to the classic All That Jazz in narrative and tone.
Then there are the songs. It is truly phenomenal just how many wonderful Porter songs became standards. The recreations of many of his Historias gay xxx hits are interspersed throughout the film and are performed often by top vocalists including some amusing cameos by Elvis Costello, Diana Krall, Alanis Morissette, and Natalie Cole.
The songs serve to parallel and punctuate the life events throughout the story in much the same way paintings served as a co-narrative in Frieda. Although production values are good for a period and location piece, it feels a little less grand in scope than it ought to be. Standout credit goes to the makeup effects especially showing the aging of Kevin Kline's character.
The camera work and editing are imaginative especially in a series of circular tracking shots which seamlessly meld one timeframe with another. The music is timeless and enjoyable even when sung in pedestrian fashion by Kline. And regarding Kline, he deserves an Oscar nomination for a richly etched portrait of a tortured soul whose search for true love spanned his entire life.
Perhaps in the hands of Bob Fosse or Baz Luhrmann, this could have really launched into a wildly imaginative send-off of a musical genius, but director Irwin Winkler a respected producer turned director like Alan Pakula has done Cole Porter proud. In real life Porter was probably exclusively gay and Linda, a wealthy divorcee bearing sharp-edged, hurting psychical scars from the brutalization she experienced in her first marriage, was happy to settle into deeply rewarding platonic matrimony with the brilliant, witty Cole.
Porter here is marginally bisexual and the two are shown chastely but lovingly entwined in bed. Cole and Linda, from reasonably informed accounts, probably never had sex. The rest of the cast is fine and many songs are bellowed by famous singers but this is Judd and Kline's inspired genius from beginning to I had to pee so. Winkler drew ecstatically engaging portrayals from these gifted actors.
I can't imagine who could have played these roles as Judd and Kline do. The film begins with an aged Porter watching and commenting on rehearsals of a new production that will showcase his wonderful songs. Is Porter actually alive? The director tells him that his shouted comments can't be heard by the actors. The film goes back and forth to this rehearsal which affects Porter increasingly as the main story follows the couple's life together. Linda, rich, independent and very smart as well as glamorous knew she wanted Porter from their first encounter.
Kline's Porter is a genius but also he's somewhat immature and, as his fame spreads and his wealth grows, innocently insensitive to how his activities create a wall of estrangement between himself and the woman he totally adores. Petty lies replace the earlier openness as Porter is attracted to a homosexual sub-culture.
Jul 02, · "De-Lovely" is a musical and a biography, and brings to both of those genres a worldly sophistication that is rare in the movies. (If you seek to find how rare, compare this film with "Night and Day," the biopic which stars Cary Grant as a resolutely straight Porter, even sending him /5. Jul 02, · Summary: De-lovely is an original musical portrait of American composer Cole Porter filled with his own unforgettable songs. A sparkling celebration of Porter's music as well as a stirring exploration of the artist's journey and the undying power of love. (MGM)53%(33). DE-LOVELY: THE COLE PORTER STORY (USA/UK) is a bit slow-moving but has a unique premise. The elderly Cole sits in a theater and watches his songwriting career and personal life presented as a starting when he's an unknown in Paris who knocks off catchy tunes and witty lyrics for the amusement of his friends/5().
De lovely reviews. Parents say
Ashley Judd provides an equally compelling performance as Linda Lee, the woman whom Cole meets and marries early in the film. All in all, parts of the film were better than the whole, which was a great-looking flop. How did Porter feel? Please enter your email address and we will email you a new password. I'd recommend this film to anyone who likes love stories, the music of Cole Porter and want a film which doesn't involve car chases, gratuitous swearing and nudity. Near the end of ''De-Lovely,'' the lethally inert new cinematic portrait of Cole Porter, the composer Kevin Kline and his wife, Linda Ashley Judd , attend a private screening in Los Angeles of ''Night and Day,'' Porter's notoriously inaccurate, sugar-coated but commercially successful screen biography. I thought the film was wonderfully tender and a love story about two people who accepted each others wants outside of their marriage and whom were devoted to one another. Think so little of me, they allow you to go. It's common practice among jazz musicians to take interpretative flights far from the source material and yet still stay fairly close to the general structure and melodic line. Our team will review flagged items and determine whether or not they meet our community guidelines. Jan 8, That was a Golden Moment in Broadway history, young Martin peeling off her clothes from under a mink coat! Common Sense is a nonprofit organization. Connie Ogle.
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